Mac Miller’s post mortem album “Balloonerism” is a dreamy and immersive album that blends jazz, soul and hip-hop into a unique listening experience. The album feels both nostalgic and points towards the future and is filled with introspective lyrics and creative production. More than just a collection of songs, the album feels like a journey through Miller’s mind, reflecting on themes of addiction, unhappiness and self-discovery. As the album progresses, listeners experience a sense of transcendence, mirroring Miller’s own struggles and moments of clarity. While some tracks shine brighter than others, the album as a whole is a strong testament to his artistry and ability to craft emotionally rich music.
The album kicks off with “Tambourine Dream,” which is more of a mood-setter than a full song and leads right into “DJ’s Chord Organ.” The opening feels warm and soothing with tambourines and soft vocals before shifting into a more energetic beat. SZA’s guest verse adds something special, making the track one of the highlights.
These songs are characterized by catchy hooks and laid-back vibes. A lot of the songs here have a chill, mellow feel. “Do You Have a Destination?” stands out with its smooth bassline and relaxed vibe, making it an easy listen. “5 Dollar Pony Rides” builds on that style but adds an upbeat, catchy energy. The beat switch in the middle makes it even more fun.
One of the best moments comes with “Stoned,” a track packed with hypnotic guitar riffs, floating background vocals and even the sound of knocking on a door, making it feel immersive. It is one of the catchiest and most creative songs on the album.
The album features deeper meanings and the experimentation of music. Beyond the laid-back sound, “Balloonerism” also dives into more meaningful topics. Many tracks touch on personal struggles, feelings of isolation and the weight of addiction. “Excelsior” brings nostalgia, reflecting on childhood and how people lose their sense of wonder as they grow up. The background voices of children add a personal touch, making it feel raw and real. “Manakins,” featuring Dylan Reynolds, also carries a deep message, and his soft vocals complement the song beautifully.
Miller’s experimental side comes through on “Transformations,” featuring his alter ego, Delusional Thomas. The jazz-inspired intro is cool, but the distorted vocal effect might not be for everyone. While the beat is great, this one might be a hit or miss depending on taste.
The album concludes in a soothing and reflective tone. “Rick’s Piano” stands out with soft maracas and a steady beat. The lyric “is there a heaven, can you see the god in me” really hits, adding a reflective and spiritual element to the song. The beat slowly builds up, making for a satisfying listen.
The final track, “Tomorrow Will Never Know,” wraps things up perfectly. The deep bass and smooth chorus make it super relaxing, and the way the beat shifts between slow and fast keeps it interesting. It also carries a weight of sadness, as if Miller is wrestling with the passage of time and his own place in the world. The constant changes in tempo reflect the unpredictable nature of life and emotion, making for a powerful conclusion to the album.
“Balloonerism” is a beautiful, introspective album that feels personal and immersive. While some songs might not be as memorable, the overall experience is warm, catchy and deeply emotional. The progression of addiction and unhappiness throughout the album creates a sense of transcendence, pulling listeners into Miller’s world of highs and lows. It is a project that shows his artistic depth and ability to experiment with sound and feeling.
